<span data-metadata=""><span data-buffer="">One of our biggest challenges was digitally rebuilding the Suez Canal and surrounding terrain to match how it looked 50 years ago. The director’s vision was clear: anyone who fought there should feel like they’re back on that ground. That goal guided every shot we touched — from chaotic night battles to sweeping, war-torn landscapes.
<span data-metadata=""><span data-metadata=""><span data-buffer="">The main set was built in the middle of the desert, with nothing but sand and greenhouses in every direction. We had to digitally extend the environment in full 360 degrees, creating a complete world around the physical location.
<span data-metadata=""><span data-metadata=""><span data-buffer="">From the start, the director shared hand-drawn sketches he created while writing the script. These early drawings set the tone for the entire VFX process. They gave us a direct window into his vision and became a constant source of inspiration as we worked to bring those moments to the screen.
